In Strolling in the Ruins Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives.

In Strolling in the Ruins Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean’s present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa’s place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives.

"Sex and the Citizen" is a multidisciplinary collection of essays that draws on current anxieties about "legitimate" sexual identities and practices across the Caribbean to explore both the impact of globalization and the legacy of the region's history of sexual exploitation during colonialism, slavery, and indentureship. Speaking from within but also challenging the assumptions of feminism, literary and cultural studies, and queer studies, this volume questions prevailing oppositions between the backward, homophobic nation-state and the laid-back, service-with-a-smile paradise or between giving in ignominiously to the autocratic demands of the global north and equating postcolonial sovereignty with a "wholesome" heterosexual citizenry.

The contributors use parliamentary legislation, novels, film, and other texts to examine Martinique's relationship to France; the diasporic relationships between the Dominican Republic and New York City, between India and Trinidad, and between Mexico's capital city and its Caribbean coast; "indigenous" names for sexual practices and desires in Suriname and the Eastern Caribbean; and other topics. This volume will appeal to readers interested in how sex has become an important register for considerations of citizenship, personal and political autonomy, and identity in the Caribbean and the global south.

"Contributors" Vanessa Agard-Jones * Odile Cazenave * Michelle Cliff * Susan Dayal * Alison Donnell * Donette Francis * Carmen Gillespie* Rosamond S. King * Antonia MacDonald-Smythe * Tejaswini Niranjana * Evelyn O'Callaghan * Tracy Robinson * Patricia Saunders * Yasmin Tambiah * Omise'eke Natasha Tinsley * Rinaldo Walcott * M. S. Worrell

John Jacob Thomas (1841-1889) was one of the leading members of a newly emergent intelligentsia in nineteenth-century Trinidad--a group that could be identified as both "Victorian" and "Pan-Africanist"--who not only challenged British imperialist accounts of Trinidad but also tried to show the interconnections, bloodlines, and origins of "Caribbean" and "English" identities usually perceived as separate and distinct. As a member of that emerging black lower middle class, Thomas was well known for his 1869 study of Trinidad's Creole language, as well as for Froudacity (1889), his pointed and witty response to the travel narrative of the Victorian James Anthony Froude, an early example of "writing back to empire."

Responding to Trinidad's transformation by significant migrations from the eastern Caribbean, West Africa, and the Indian subcontinent, he sought to "tame" the working-class energies that radicalized his work and to bring them in line with "modern" conceptions of the nation. As a defender of francophone cultural production in a British colony, though a loyal subject of Queen Victoria, and as a pan-Africanist whose commitments were simultaneously diasporic and local, Thomas complicates current discussions of colonial and postcolonial intellectuals, Black Atlantic paradigms, and Victorian intellectual life.

In Creole Recitations, the first full-length study of Thomas, Faith Smith puts his texts in dialogue with other narratives by local and international Pan-Africanists, Victorian intellectuals, and local and regional blacks, coloreds, and whites. Shedding light on the intellectual terrain of the late nineteenth century, she provides an important context for better-known figures of twentieth-century Caribbean literature such as C. L. R. James, V. S. Naipaul, and Jamaica Kincaid.